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Entdecke die besten Western bei Netflix: Django Unchained, Für eine Handvoll Dollar, The Revenant - Der Rückkehrer, Hell or High Water, Last Man Standing. 2. Nov. ➤ Rankings der besten Serie Netflix Western November Netflix' Superstar-Western! Von Björn Becher. In einem Zeitraum von 25 Jahren schrieben die Brüder Ethan und Joel Coen die Geschichten für ihre.
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At times woodenly acted and downright dated by modern standards, the True Grit nevertheless has a primal power. She hires Rooster Cogburn to track down his killer, who has fled into Indian territory.
Rooster admires her spunk, seeing reflections of himself in her stubbornness. Despite their prickly off-camera relationship, Wayne and Darby put aside those challenges and let the characters do the talking.
Never mind the many times he lets the bottle let her down. The remake is a fine movie in its own right. It has a smoother flow, is truer to the spirit of the novel, and feels grittier to our modern sensibilities.
The Hateful Eight is a sprawling film with an intimate core and too much necessary material to trim. Frontier justice does quench our thirst, but the themes of social justice that drive the film are more satiating by far.
It all adds up to a towering work, as profound as it is profane. But Sheridan—who tackled the moral difficulties of the drug war with his script for Sicario—has even bigger thematic game in mind.
Hell or High Water is also meant to be a topical anti-capitalist lament, being that it takes place in a west Texas town that looks to have been decimated by the recent economic recession, with big billboard signs of companies advertising debt relief amid stretches of desolation, and with Toby driven in large part by a desire to break out of what he sees as a cycle of poverty for his loved ones, to provide a better life for his two sons and ex-wife.
The film builds up to a finale that thankfully goes not for a mindlessly violent showdown, but for a tension-filled dialogue-based confrontation which plays like a meeting of minds between characters who have more sympathy toward each other than they perhaps realized.
Even as two of the main characters reach a kind of truce, however, Mackenzie comes up with an even more devastating image with which to end his film: He simply moves the camera from high in the air down to a batch of grass.
Here, in Hell or High Water , is a sterling example of genre craftsmanship at its intelligent and unexpectedly affecting best. And, come on, what better way to cap off this legendary trilogy than with a flying, time-traveling locomotive?
Ever hear the one about the two aggrieved brothers who ride into town looking for a piece of the evildoer who wronged their family?
Of course you have. Blocker, a veteran of the Indian Wars with a reputation and orders to escort a dying war chief back to his native lands.
What follows is a slow slog through the Mid-West weighed down with brutal violence and plenty of death but the performances make it worth sticking around.
Pine plays Toby, a down-on-his-luck father struggling to live right under mountains of inherited debt while Foster plays Tanner, his ex-con brother who has a wild streak that often endangers the two men on their jobs.
Bridges is the aging sheriff tasked with bringing them to justice, but his job is made harder by the locals, who have no love for the bank chain the boys are stealing from.
Split into six parts, each story is loosely connected though thematically and tonally different. From there we get stories of outlaws getting their due, prospectors mining for gold, ghostly hauntings, and wagon trails.
Forgetting trying to follow the thread and just enjoy the ride with this one. Mira Sorvino stars in this violent Western from director Justin Lee.
The action follows a stone-faced gunman named Matthias William Breecher, a Pinkerton detective hired by a former-slave-turned-Senator to track down war criminals who fought for the Confederacy.
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